In the event that the drummers do not use a bell, a set of up to seven dun-duns are played at an instance. The smallest dun-dun known as the konkoni produces the highest pitch and through its smooth surface on the drumhead, it coordinates the rhythm in a melodious pattern. For the sangban and dunumba, there are deep and well spaced notes, which often serve to add harmony and melodic bass. Similarly in Conakry, residents use the traditional style where they deploy a set of three drums – the konkoni, made of dried goat skin, kenikeni and sangban.
With the highest pitch, the konkoni maintains the accompanying rhythm while the djeli-dun maintains the lead vocals, melody and solos. In Ivory Coast, the most prominent dun-dun players make solos while playing a single set of kenikeni.